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Review: Dead Outlaw
On paper, this musical shouldn’t work: it’s about a man who only became famous after death, and the lead spends nearly half the show playing a motionless corpse - during a rock concert, no less. Yet, somehow, it not only works, but creates one of the most thrilling new musicals of this season.

The Verdict
May 24, 20254 min read


Review: Just In Time
Bringing a new show directly to Broadway is a risky move. Many times, it results in an unpolished mess, but the rare exceptions can turn into unexpected gems.
That rare gem is Just In Time, the brand new bio-jukebox musical telling the story of Bobby Darin that opened at the Circle in the Square this spring.

The Verdict
Apr 27, 20255 min read


Review: Gypsy
Curtain up, light the lights—Gypsy is back. Again. Revived on Broadway almost every fifteen years starring the biggest female belter at the time, New York audiences are no strangers to Gypsy. However, this most recent production seemed to promise something different—but it didn’t deliver. Audra McDonald, a six-time Tony Award winner, makes history as the first woman of color to play Rose, one of the most revered roles in musical theatre history.

The Verdict
Apr 25, 20254 min read


Review: Operation Mincemeat
🌟VERDICT’S PICK🌟
God, this show is brilliant! Opening at the Golden Theatre in March, the highly anticipated, twelve-times-extended transfer of Operation Mincemeat is the most delightfully charming show on Broadway. Telling the true story of the MI5 deception plot of the same name which involved planting a corpse with fake documents in Spain to misdirect the German forces, it has become a sensation on both sides of the Atlantic.

The Verdict
Apr 13, 20254 min read


Review: Sunset Blvd.
🌟VERDICT’S PICK🌟
“New ways to dream” is undoubtedly the theme of Jamie Lloyd’s new production of Andrew Lloyd Webber’s classic musical Sunset Blvd, based on Billy Wilder’s 1950 movie. This musical first opened in 1993 on the West End, starring Patti LuPone, who was subsequently (and infamously) replaced by Glenn Close when the production transferred to Broadway.

The Verdict
Nov 1, 20245 min read


Review: Standing at the Sky's Edge
Described as “A love letter to Sheffield,” Standing at the Sky’s Edge is a peephole into three time periods in British history through three distinct lenses, each offering individual opinions and challenges.

The Verdict
Jun 10, 20245 min read
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